Many contemporary composers have been described as iconoclasts but few really are the rugged individualists they are often portrayed as being. Harry Partch(1901 – 1974) may be one of the rare exceptions. Influenced by his study and interpretation of ancient musical models, Partch decided to firmly break with the European musical tradition. He devised his … Continue reading AMN Reviews: Harry Partch – The Bewitched (2021; Neuma 126) and U.S. Highball (2021; Neuma)
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